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the collection | 3d gallery | 3D in Silverwork
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Available for sale at the Museum Store |
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Silverwork in 3D
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Angels
of the Passion
[117 Kb ]
Cast,
forged and chased silver with repoussé and burnished punchwork.
New Spain, 18th C. 30 x 17 x 19 cm. Angels like these were used to decorate
the platforms of religious processions. These pieces are related to the
Passion, and are thus thought to have ornamented platforms in the procession
of Corpus Christi. |
Coconut-Shell
Chocolate Cups
[ 86 Kb ]
Coconut
with sgrafitto, cast, forged and chased silver details and inlaid shell.
New Spain, 17–18 C. 14 x 10 x 7.7 cm. (largest) These cups were made with
burnished coconut shells occasionally inlaid with other materials (e.g.
shell), with silver handles, stems and rivets added; they were used for
drinking chocolate in New Spain. |
Cigarette
Cases
[ 109 Kb ]
Cast,
forged and chased gold in three colors with burnished punchwork. New Spain/Mexico.
18–19 C. 7 x 5 x 3 cm. (largest) Small cases or containers used to store
cigarettes. Smoking was a widespread habit in New Spain and independent
Mexico. These luxury objects were ubiquitous at well-to-do gatherings where
both men and women smoked and/or inhaled snuff. |
Thurible
[ 81 Kb ]
Cast,
forged and chased silver with burnished punchwork. Mexico City, 1823–1843
70 x 13 Ø cm. This thurible bears the hallmark of Cayetano Buitrón,
one of the most important assayers in the early nineteenth century; the
assayer was in charge of verifying the silver’s quality and collecting
the tax. |
Crown
[ 89 Kb ]
Cast,
forged and chased silver with burnished punchwork. New Spain, 1750–1800
26.5 x 20.5 cm. An imperial crown topped by an orb and cross; it draws
on a diverse repertoire of decorative motifs prevalent in the period in
which it was made, such as rocaille and lathe-turned details. |
Processional
Cross (detail)
[ 93 Kb ]
Martín
DE MENDIOLA. Cast, forged and chased silver with repoussé
and burnished punchwork. Mexico City, New Spain, c. 1557 79 x 42 x 22 cm.
This is the oldest piece of hallmarked silverware from New Spain in the
museum’s collection. On one side it depicts Christ on the Cross and on
the other, St. Catherine of Alexandria, in a style reminiscent of the Gothic. |
Ex-Voto
(scepter)
[ 70 Kb ]
Cast,
forged and chased silver with repoussé and burnished punchwork.
Alhama de Aragón (?), Spain, 1707. 20 x 11 x 11 cm. The ex-voto
is a believer’s offering to God, the Virgin Mary or a saint in thanks for
a blessing or favor granted. |
Chalices
[ 134 Kb ]
Cast,
forged and chased silver with repoussé and burnished punchwork.
New Spain/Mexico, 17th–19th C. 27 x 15 cm. (largest) Cups used in Catholic
liturgy to contain and consecrate the wine. The three pieces here
are
from different times and places of origin: Mexico City and Antequera de
Oaxaca, in the seventeenth, eighteenth and nineteenth centuries. |
Ciborium
[ 65 Kb ]
Cast,
forged, chased and gilded silver with repoussé and burnished punchwork.
Mexico City, New Spain, late 18th C. 26 x 15 Ø cm. Due to its important
role in the liturgy, a ciborium’s inner surface must be coated in gold.
In this piece, the exterior is also gilt. It was achieved through a technique
called dorado a fuego in which gold was mixed with quicksilver (mercury). |
Tray
(detail)
[ 116 Kb ]
Hans
WAIDELYN. Cast, forged and chased silver with repoussé and burnished
punchwork. Augsburg, Germany, 1594. 42 x 56 x 3 cm. In a scene of the Great
Flood, human figures struggle against the rising water; the contorted bodies
are a display of the silversmith’s skill. |
Prayer
Lectern
[ 121 Kb ]
Cast,
forged, chased and partially gilt silver with repoussé. Guanajuato
(?), New Spain, c. 1760. 41 x 36 x 35 cm. Prayers written or engraved on
objects —a lectern in this case— were called sacras and were used
as memory aids by priests during liturgical ceremonies. |
Eucharistic
Urn (detail)
[ 135 Kb ]
Juan
POSE. Cast, forged and chased silver with repoussé and burnished
punchwork. Santiago de Compostela (?), Spain,late 17th C. 78 x 50 x 34
cm. This piece features a spectacular combination of the main silversmithing
techniques; the lost wax casting stands out in the caryatids and in the
principal motif—the archangel Michael defeating Satan. |
Tray
(detail)
[ 120 Kb ]
Marx
WEINOLD. Cast, forged, chased and partially gilt silver with repoussé
and burnished punchwork. Augsburg, Germany, c. 1680. 65 x 57 x 4 cm. A
detail of a border of beautifully chased and repoussé fruits with
a color combination of silver and gold. The central motif of the tray depicts
the Queen of Sheba before King Solomon. |
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NOTICE
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Viewing 3D stereoscopic images is totally harmless. Nevertheless, the continued or forced view -whether free or assisted- may cause slight dizziness or visual fatigue. If this occurs to you, simply rest your eyes before resuming.
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3D Stereoscopic Photography Jorge
Westendarp Galofré
Viewer: JAVA
Applet StereoPhotoViewer by Masuji Suto
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